A short film by Luke Griffiths and Michelle Bunting from my 'MOTH' solo exhibition
EXPLORING MOTH SPECIES OF THE GREAT SOUTHERN REGION
25 Jan - 19 Feb 2019
Vancouver Arts Centre
Albany, Western Australia
Chelsea has been developing artwork during the past 12 months for her first solo exhibition at the Vancouver Arts Centre, Albany, Western Australia. She was offered the exhibition as part of the City of Albany Acquisitive Prize, as winner of the Great Southern Art Award 2017. Her work has developed through a range of representations of the MOTH, these elusive and little understood insect creatures, known in the scientific world as belonging to the order Lepidoptera.
“The main reason for painting moths and butterflies in the first place was for the feeling they represented for me - an image that reminded me of a feeling. I didn't do them to make pretty paintings. Both butterflies and moths have wings covered in tiny scales and that is where the fascination started for me. When I was looking at the species of butterflies in the local region I realised that the moths were actually more unique and interesting. I feel like the moths are more mysterious and also something that most people don't think of as beautiful or special. They are more overlooked. And I had some great interactions with local moths that made an impression on me”.
Artists through their research of a particular subject matter are able to present a singular, unique vision. In this exhibition, Chelsea leads us through a range of her personal experiences of the MOTH - some appear to be a nod to the ubiquitous collections we may find in the museum, some may be winged monsters, and others are developments of nonfigurative, formal interpretations of the patterns found on the wings of these creatures. These multi-faceted points of view are at the same time interdependent yet able to stand alone.
Chelsea has made great progress in the studio gaining confidence with a range of chosen materials, scale and interpretation of the subject matter. This exhibition is a testament to her perseverance, tenacity and passion to complete the body of work presented – an exciting debut indeed for this young artist.
Artist and mentor. January 2019
Chelsea has been mentored by artist Paul Moncrieff to develop this solo exhibition, made possible through the ‘Regional Arts Partnership Program’, a Country Arts WA Royalties for Regions investment into arts and culture across WA.
Oil & acrylic on mounted wooden board, white edges.
60cm x 70cm
Moth wings (like butterfly wings) are covered in tiny colourful scales, they are beautiful and inspiring. These pieces are based on these scales and the feelings of community, love, connection and relationships.
'Lepidoptera' is the scientific name for the order (group) of insects that includes butterflies and moths. It literally means 'scaled wing' in Ancient Greek. 'Affinitas' is latin, meaning relationship or community.
Acrylic on mounted wooden board, white edges.
60cm x 70cm
These pieces are also based on the patterns created by the scales on moth or butterfly wings (order Lepidoptera).
Iris refers to the Ancient Greek goddess or personification of the rainbow. She is a messenger goddess who wore a many hued dress with sandals and golden wings. The word iridescent comes from Iris and it's original meaning. This goddess would move from the earth to the sky or from the sky to the earth, her movement would be seen as the rainbow. These paintings can be hung either way.
MEGA MOTH SERIES
By painting these moths hundreds of times their actual size I feel it gives them the significance, presence and impact to reveal the magical, beautiful and bizzare creatures that they are. It gives me the opportunity to show and emphasise the details of their wings, bodies and antennae as I observe them, without the unique areas of pattern being lost. Standing up close to the painting, due to their massive size, you are forced to take in the areas of pattern, detail, colour and texture in sections – without being able to see the creature as a whole due to the scale of the painting. Moving backwards from the piece the details blur together to make the readily recognisable depiction of the particular species of moth.
I use my paints to emphasise and simplify areas of pattern and detail whilst remaining true to the species. I also incorporate some elements of patterns from tribal cultures that helps to create these moth paintings as symbols, messengers or totems and incoporate my fascination with human survival and the link between human culture and the environment. Moths became a powerful personal symbol for me in my life when my strength and resilience was really pushed to the limit through long term physical illness and other challenges. They represented courage, transformation and intuition for me, which is also true for many cultures in the world. How I represent them in my paintings reflects this; skirting the border between myth, magic and reality; science and art; the mind and intuition.
HELENA GUM MOTH, OPODIPHERA HELENA // MEGA MOTH SERIES
Oil & acrylic on heavy weight linen
1.7 x 2.2 metres
The Helena Gum Moth is a beautiful species found throughout the southern half of Australia incuding southern Queensland and Tasmania. Many people will have seen this species as it is large with a wing-span of 13 to 17cm and abundant. Its larvae feed on various species of eucalypts (gum trees). Its colour can vary from pinkish brown to a more terracotta coloured brown. This is one of my favorites for its beautiful little fuzzy legs and huge antennae, it will readily crawl onto your hand without being frightened and allow you to observe it up close.